The Antiwhite Report

In a healthy world, entertainment such as motion pictures would be meant to inspire. However, in an antiwhite world, entertainment is used as a weapon to distort people’s reality, to push an agenda, and to white guilt.

Meet Netflix’s latest meme-pathogenic feast: Adolescence.

The plot can be summarized from Wikipedia:

In an English town, armed police raid a family home and arrest Jamie Miller, a 13-year-old boy, on suspicion of murder of a classmate, Katie Leonard. Jamie is processed and held at a police station for questioning, and then remanded in custody at a secure training centre. Investigations at Jamie’s school, and interviews by a forensic psychologist, reveal that Jamie has been chronically bullied via social media. Other students, including Katie, had targeted him on Instagram, calling Jamie ugly and labelling him an incel. Jamie has come to internalise these things, and lashes out when this worldview is questioned. At home, Jamie’s family deals with the community’s backlash against them as they work together to cope with Jamie’s arrest and subsequent detention.

In this report, we will dissect both the meme pathogens of the series, but also – and more importantly – the agenda of the creators.

Let’s start with the trailer. In the first 15 seconds, we see the police raid a lovely British middle class home, and a SWAT policeman aim his gun at the 13 year old White boy, Jamie, the protagonist/antagonist. The kid calls down to his father: “Dad, I haven’t done anything.”

This is a subtle meme pathogen (MP). Later on in the series, we find out that Jamie has indeed done something horrible. He stabbed a White girl to death. This immediately serves as an MP since the “I dindu nuffin” excuse is contributed to White boys.

The whole show is deeply rooted inside the antiwhite narrative. Later in the series, we see the boy’s father turn his back against his White son. He realizes that he has raised the devil.

Jamie comes across as a regular sweet White boy, but beneath it all, he’s a monster. Again, this serves the antiwhite narrative. It’s a gaslighting effect that draws the rope of suspicion around the necks of all White boys at his age.

When it comes to the agenda behind the series, let’s head back over to the Wikipedia page:

Adolescence was originally conceived by Stephen Graham as a response to a sudden increase in violent knife crime in the UK, including the murders of Elianne Andam and Ava White. He decided to create a drama exploring the motivation of extreme acts of violence against girls by young boys, and collaborated with screenwriter Jack Thorne. Speaking on BBC Radio 4‘s arts programme Front Row, Thorne stated that the two writers wanted to “look in the eye of modern male rage” and examine the influence of public figures such as Andrew Tate on boys.

Let’s have one thing clear: 13 year old White boys are not the cause of the spike in knife crime in the UK. And the murderer of Elianne Andam was not White. You can look into him yourselves.

And when it comes to Andrew Tate, let’s make this crystal clear: Andrew Tate is an antiwhite Nonwhite muslim pimp, a serial rapist, and a wife-beating coward, who preys on White women who come from a broken home. He made his riches and fame from pimping White women specifically. And, as brilliantly pointed out by Jason Köhne (NoWhiteGuilt.org), he has never dared to pimp Arabic women. It’s because he’s a coward. He knows White men won’t fight back. Muslim men would probably try to take his life away.

So the conclusion of this show is this: It vilifies White boys, strengthens the antiwhite narrative, gaslights people, white guilts Westmen, and blames Whites for the crimes of others. We could easily be forgetting something. The title of this article is not an exaggeration. We can say this with great certainty: every detail in this series is thoughtfully planned out. The agenda is to victimize us.

We at The Antiwhite Report strongly condemn the production of this show, and we advice everyone should not be watching this antiwhite filth.